Choral Orchestration
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In our eReader you can find the full English version of the book. Read Choral Orchestration Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Choral Orchestration
What reading level is Choral Orchestration book?
To quickly assess the difficulty of the text, read a short excerpt:
i r P: l*^S==fe^ ?fe -i^ -d- =Ez=£: ^ =P2: ^= ^ E3E Hrns.
Tpts.
i ^ %^35^ 1= y -^ 'r P - F F- -F F- -:?= fcpr g- Tbns.
^!sr=^i ^F=gps -(2- £E= -F F -F F- ^=fe z^t ^r^^^ Timp.
I r V - EE^EE Ei^=F=&: m/ loco i ^- ^^^ rt=: V P r^' 1^^ ^^^ fE=feW=3F -J 1 \- -gp g^f P- =1=-- F F- E*=3E 3E o • -F F- ii=:TFzzzFi: 47 CHORAL ORCHESTRATION 120 121 122 123 124 125 ifep^ -pt :i ■'-| r Thou shalt eome :irp= $ -lieve that to be our J ^ I :ki :fe^^34 :^- g fi ^= uti lidz =:=^= ZCI^Z ^^ At bar 119 we reach a m...odulatory passage which is technically no more than a pre- paration for the E-flat unaccompanied chorus to come. The extreme solemnity of the words, however, and the character of the music make a change in the orchestration imper- ative. What are we to- give the composer in exchange for his direction "Solo stop " ? If the chorus were not singing, we might carry out his wishes almost literally by using a solo oboe accompanied by the string-quartet, or by giving the actual written notes of his melody to first and second violins in unison, with clarinets, bassoons, and horns to support them.
What to read after Choral Orchestration?
You can find similar books in the "Read Also" column, or choose other free books by Cecil Forsyth to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
i r P: l*^S==fe^ ?fe -i^ -d- =Ez=£: ^ =P2: ^= ^ E3E Hrns.
Tpts.
i ^ %^35^ 1= y -^ 'r P - F F- -F F- -:?= fcpr g- Tbns.
^!sr=^i ^F=gps -(2- £E= -F F -F F- ^=fe z^t ^r^^^ Timp.
I r V - EE^EE Ei^=F=&: m/ loco i ^- ^^^ rt=: V P r^' 1^^ ^^^ fE=feW=3F -J 1 \- -gp g^f P- =1=-- F F- E*=3E 3E o • -F F- ii=:TFzzzFi: 47 CHORAL ORCHESTRATION 120 121 122 123 124 125 ifep^ -pt :i ■'-| r Thou shalt eome :irp= $ -lieve that to be our J ^ I :ki :fe^^34 :^- g fi ^= uti lidz =:=^= ZCI^Z ^^ At bar 119 we reach a m...odulatory passage which is technically no more than a pre- paration for the E-flat unaccompanied chorus to come. The extreme solemnity of the words, however, and the character of the music make a change in the orchestration imper- ative. What are we to- give the composer in exchange for his direction "Solo stop " ? If the chorus were not singing, we might carry out his wishes almost literally by using a solo oboe accompanied by the string-quartet, or by giving the actual written notes of his melody to first and second violins in unison, with clarinets, bassoons, and horns to support them.
What to read after Choral Orchestration?
You can find similar books in the "Read Also" column, or choose other free books by Cecil Forsyth to read onlineMoreLess
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