Classic Myth in the Poetic Drama of the Age of Elizabeth
Classic Myth in the Poetic Drama of the Age of Elizabeth
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In our eReader you can find the full English version of the book. Read Classic Myth in the Poetic Drama of the Age of Elizabeth Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Classic Myth in the Poetic Drama of the Age of Elizabeth
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To quickly assess the difficulty of the text, read a short excerpt:
That realization is not very conspicuous, however; one is almost certain that, given the op- portunity, he would spend another year much as before, and the moral in this "Moral Masque, " as its authors call it, is not op- pressive. Nor is it truly a Masque. It possesses Masque ele- ments in the dancing and the music; there is the spectacular element in the Scenes where Folly whips Time across the stage, where Antonio and Bacchanalian, Conceit and Detraction, Virtue and Vice, Humor and Folly app...ear; there is a suggestion of antimasque in the entrance of the clowns at the beginning of Act III; but the play possesses a fairly well-constructed plot, and the interest centres, not in the Masque features, which are merely accessory, but in the plot and the poetry.
An especial interest attaches itself to this play in the question of authorship. How much of it was Dekker's? What part was Ford's? And did Dekker borrow his song, "What bird so sings, yet so does wail" 1 from Lyly?
It has been fairly well agreed upon that the foundation of the play is Dekker's older Phaeton.
What to read after Classic Myth in the Poetic Drama of the Age of Elizabeth?
You can find similar books in the "Read Also" column, or choose other free books by Harriet Manning Blake to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
That realization is not very conspicuous, however; one is almost certain that, given the op- portunity, he would spend another year much as before, and the moral in this "Moral Masque, " as its authors call it, is not op- pressive. Nor is it truly a Masque. It possesses Masque ele- ments in the dancing and the music; there is the spectacular element in the Scenes where Folly whips Time across the stage, where Antonio and Bacchanalian, Conceit and Detraction, Virtue and Vice, Humor and Folly app...ear; there is a suggestion of antimasque in the entrance of the clowns at the beginning of Act III; but the play possesses a fairly well-constructed plot, and the interest centres, not in the Masque features, which are merely accessory, but in the plot and the poetry.
An especial interest attaches itself to this play in the question of authorship. How much of it was Dekker's? What part was Ford's? And did Dekker borrow his song, "What bird so sings, yet so does wail" 1 from Lyly?
It has been fairly well agreed upon that the foundation of the play is Dekker's older Phaeton.
What to read after Classic Myth in the Poetic Drama of the Age of Elizabeth?
You can find similar books in the "Read Also" column, or choose other free books by Harriet Manning Blake to read onlineMoreLess
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