Concerning the Spiritual in Art

Cover Concerning the Spiritual in Art
Concerning the Spiritual in Art
Kandinsky Wassily
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I am using the former tomean "outer need, " which never goes beyond conventional limits, nor produces other than conventional beauty. The "inner need"knows no such limits, and often produces results conventionallyconsidered "ugly. " But "ugly" itself is a conventional term, andonly means "spiritually unsympathetic, " being applied to someexpression of an inner need, either outgrown or not yet attained. But everything which adequately expresses the inner need isbeautiful. ] The spirit, like the ...body, can be strengthened and developed byfrequent exercise. Just as the body, if neglected, grows weakerand finally impotent, so the spirit perishes if untended. And forthis reason it is necessary for the artist to know the startingpoint for the exercise of his spirit.
The starting point is the study of colour and its effects on men.
There is no need to engage in the finer shades of complicatedcolour, but rather at first to consider only the direct use ofsimple colours.
To begin with, let us test the working on ourselves of individualcolours, and so make a simple chart, which will facilitate theconsideration of the whole question.


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