Contemporary American Painting And Sculpture volume 1952

Cover Contemporary American Painting And Sculpture volume 1952
Contemporary American Painting And Sculpture volume 1952
University of Illinois At Urbana Champaign Colleg
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These indirect themes rely, in a sense, for their symbolic mean- ing upon precisely those material objects which are not included in the compositional elements at all, but which are inevitably brought to mind by their very absence. It is a thematic counterpart to the often encountered formal reliance upon space rather than mass ius the organizing element in many modern works.
The final stage beyond an art which shifts the empha. Sis from man himself to the evidences of man's acti\ity, or even m
...akes of his ab. Scnce a primary theme, is the completely non-objective art which flourishes today. The present exhibition inevitably includes a large body of such work. It is surely not difficult to understand the tremendous pull which such a point of view exerts on many artists today. The documentary role which painting assumed in many periods in the past is adequately filled by other means. \Sc are surrounded today by an intense awareness of forces, both 23 physical and spiritual, which cannot be comprehended by material under- standing alone.

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