Conversations in a Studio 1

Cover Conversations in a Studio 1
Conversations in a Studio 1
Story William Wetmore
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We have not the same kind of unnatural jargon, but we have not entirely rid ourselves of all jargon ; and a new reaction is now beginning against the previous re- action of simplicity. I cannot but feel that among some of the latest writers of the* present day, there is a tendency to over-refinement and over-elabora- tion both of phraseology and of thought. Words are strained into new senses, and ideas rarefied into metaphysical and sentimental vagueness.
B. One is certainly disposed sometimes
...to ask with Antonio, " Is that anything now ? " M. Ay, and to answer with Bassanio, " Grati- auo speaks an infinite deal of nothing." ^^Ilis 198 CONVERSATIONS IN A STUDIO, reasons are as two grains of wheat tied in two bushels of chaff ; you shall seek all day ere you shall find them, and when you have them, they are not worth the search." B. We do not exercise the same kind oi judg- ment in poetry as in prose. The commonest and tritest moral axiom acquires with most persons a special value, if it be put into a rhythmical form.

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