Counterpoint
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In our eReader you can find the full English version of the book. Read Counterpoint Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Counterpoint
What reading level is Counterpoint book?
To quickly assess the difficulty of the text, read a short excerpt:
In bars 3 and 5 occur the somewhat unusual sus- pensions of a ninth and fourth on a chord of the sixth, alluded to in par. 91. In bars 7 and 8a" pedal" is used.
CHAPTER X.
FIFTH SPECIES IN THREE PARTS : FLORID.
loo. The student will be able to construct this counterpoint by the aid of the rules already given (see the corresponding species in two parts). Florid counterpoint may be written against the canto fermo in both parts, instead of one being composed of notes of equal value with the canto ...fermo. In doing this care should be taken to contrast the two florid parts. If one is moving rapidly let the other one syncopate or move by the second species. .
Contrary and oblique motion between the two will also greatly help the student to write smooth and melodious counterpoints.
loi. The student may combine some one of the previous species with this, instead of having two parts in florid couviter- point.
102. The I has hitherto been excluded ; it may, however, be used in this species, occurring at the second, third, or fourth crotchet, when the bass moves in arpeggio (Ex.
What to read after Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Bridge, Frederick, Sir, 1844-1924 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
In bars 3 and 5 occur the somewhat unusual sus- pensions of a ninth and fourth on a chord of the sixth, alluded to in par. 91. In bars 7 and 8a" pedal" is used.
CHAPTER X.
FIFTH SPECIES IN THREE PARTS : FLORID.
loo. The student will be able to construct this counterpoint by the aid of the rules already given (see the corresponding species in two parts). Florid counterpoint may be written against the canto fermo in both parts, instead of one being composed of notes of equal value with the canto ...fermo. In doing this care should be taken to contrast the two florid parts. If one is moving rapidly let the other one syncopate or move by the second species. .
Contrary and oblique motion between the two will also greatly help the student to write smooth and melodious counterpoints.
loi. The student may combine some one of the previous species with this, instead of having two parts in florid couviter- point.
102. The I has hitherto been excluded ; it may, however, be used in this species, occurring at the second, third, or fourth crotchet, when the bass moves in arpeggio (Ex.
What to read after Counterpoint?
You can find similar books in the "Read Also" column, or choose other free books by Bridge, Frederick, Sir, 1844-1924 to read onlineMoreLess
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