Creative Technique for Artists in General And Pianists in Particular
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In our eReader you can find the full English version of the book. Read Creative Technique for Artists in General And Pianists in Particular Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Creative Technique for Artists in General And Pianists in Particular
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Starting with the assump- tion that the pianist need only play with the weight of hand or arm they have theoretically detached these parts of his mechanism. The result is that the player is Umited in every direction ; in melody touch, in strength, lightness and clarity of tone, in fine control of nuance, in subtle blending of harmonies, in part-playing, where finger work alone tells, and, most important of all, in the vital matter of expression.
Non-comprehension of the aesthetics of piano- for...te plajdng causes the confusion which often arises in pianoforte teaching, and before proceed- ing with the question of expression in touch, the ground must be cleared with an analysis of the psychological factors which work when plajdng or listening to pianoforte music.
The piano differs from other instruments in one most important aspect ; it does not give the control of the tone which some critics claim is essential to musical expression. Between the vital moments of sound there are the inter- spaces during which the player is cut off from his medium.
What to read after Creative Technique for Artists in General And Pianists in Particular?
You can find similar books in the "Read Also" column, or choose other free books by Woodhouse, George to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Starting with the assump- tion that the pianist need only play with the weight of hand or arm they have theoretically detached these parts of his mechanism. The result is that the player is Umited in every direction ; in melody touch, in strength, lightness and clarity of tone, in fine control of nuance, in subtle blending of harmonies, in part-playing, where finger work alone tells, and, most important of all, in the vital matter of expression.
Non-comprehension of the aesthetics of piano- for...te plajdng causes the confusion which often arises in pianoforte teaching, and before proceed- ing with the question of expression in touch, the ground must be cleared with an analysis of the psychological factors which work when plajdng or listening to pianoforte music.
The piano differs from other instruments in one most important aspect ; it does not give the control of the tone which some critics claim is essential to musical expression. Between the vital moments of sound there are the inter- spaces during which the player is cut off from his medium.
What to read after Creative Technique for Artists in General And Pianists in Particular?
You can find similar books in the "Read Also" column, or choose other free books by Woodhouse, George to read onlineMoreLess
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