Croce As Shakespearean Critic

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14 CROCK AS SHAKESPEAREAN CRITIC The affirmative certainties of the critic take some other forms. In a highly interesting series of discussions of Shakespeare's poetic or literary relation to questions of religion he reaches conclusions which will probably perturb some English readers, and will be by them impugned as mere "conjectures, " with distinct support from some of his own concessions (p. 153). But when he writes (p. 141) that "Shakespeare caressed no ideals of any sort, and least of all
... political ideals, " we are all bound, even if we agree with him, to point out this is an inference incapable of full proof, were it only because it is so comprehensive a negative. And what more of critical right can the critic have to such a wholesale positive-negative conviction than any of us have to a negative view on some of his positive verdicts ? In a finely-felt commentary on Lear he writes that " an infinite hatred for deceitful wickedness has inspired this work " : a proposition which might perhaps elicit triumphant smiles in those German shades which he has been shelling.

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