Discoveries in Chinese, Or, the Symbolism of the Primitive Characters of the Chinese System of Writing. As a Contribution to Philology And Ethnology And a Practical Aid in the Acquisition of the Chinese Language
The book Discoveries in Chinese, Or, the Symbolism of the Primitive Characters of the Chinese System of Writing. As a Contribution to Philology And Ethnology And a Practical Aid in the Acquisition of the Chinese Language was written by author Andrews, Stephen Pearl, 1812-1886 Here you can read free online of Discoveries in Chinese, Or, the Symbolism of the Primitive Characters of the Chinese System of Writing. As a Contribution to Philology And Ethnology And a Practical Aid in the Acquisition of the Chinese Language book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Discoveries in Chinese, Or, the Symbolism of the Primitive Characters of the Chinese System of Writing. As a Contribution to Philology And Ethnology And a Practical Aid in the Acquisition of the Chinese Language a good or bad book?
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j^ This is the same as the preceding, with the addition of a cover, as the emblem of a house. The idea seems to be snug or na/rrow quarters, res angusta domi. 54. The next is "Kwdng," to reform, to malce si/raigJit, to assist. H This is a tree inclosed and protected, and consequently growing tall and straight. 55. The next ls " Shu," to hind, to tie. M^ This is a tree with a loop around it ; a tree encircled. 81 DISOOVEEIES IN OHINKSE. 66. The next is " Fung," to o^ose each oiher^ to meet. ^ Th...e design here is that of a tree, or other vegetable growth, growing up under, and com- ing in contact with, an overhanging object, which it meets, and the two are opposed to each other. This is confirmed by the follow- ing: 57. This is " Kiii," to ov/rve, to lend, to succvmb. d^- A The character above is a shed, house, or cov- ering, and that below represents a vegetable. The idea is the same as the above. Nothing could be better to indicate the collision of a motive body and a stationary resistance, with the consequent necessity of turning out of the way.
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