Dramatic Criticism; Three Lectures Delivered At the Royal Institution, February 1903

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NO FINALITY 73 George Brandes, in studying the works of Ibsen pari passu with their production.
He says himself, after noting how Ibsen at different stages of his work was not the same Ibsen : " But neither was his critic quite the same. He had in the meantime gone through a great deal, and had consequently acquired a larger outlook upon life, and a more flexible emotional nature. He had dropped all the doctrines that were due to education and tradition.
He understood the poet better now." A gr
...eat historical instance of development in the reverse direction is that of Voltaire in regard to Shakespeare. Voltaire began by blessing Shakespeare (with reservations), and ended by (quite unreservedly) cursing him. That was by no means because he understood the poet better ; but for reasons extraneous to his critical development, reasons connected with his objections to the course which he found the French drama was taking without his leave. And the moral of that little affair is that the critic should remain content to be an artist, and not set up for a literary dictator.

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