Dramatic Theory And Practice in France 1690-1808, By Eleanor F. Jourdain ..
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To quickly assess the difficulty of the text, read a short excerpt:
! ' Qu'est-ce done, que le vrai t C'est la conformity des signes exterieurs, de la voix, de la figure, du mouvement, de Faction, du discours, en un mot de toutes les parties de jeu, aveo un modele ideal ou donne par le poete ou imagine de tite par l'acteur. Voila le merveilleux.' P. 121.
3 See Benedetto Croce, Aesthetic.
' DRAME ' 81 pany. 1 Cool reflection and judgment, Diderot urges, are necessary for this. 2 The collaboration between actor and dramatic author was well understood by Diderot. ...He quotes Voltaire's remark on seeing Clairon in one of his pieces. ' Est-ce bien moi qui ai fait cela ? ' Then, in the Paradoxe (p. 186), he points out that the actor has to lose himself in the poet's conception. ' II faut quelquefois que l'acteur se sacrifie au poete.' Diderot comes to a point at which he asks himself if there is not such a thing as a sensibilite artificielle. By this he probably means imaginative sensibility as opposed to instinctive sensibility. The second interlocutor in the Paradoxe has just been quoting Locke: "...
What to read after Dramatic Theory And Practice in France 1690-1808, By Eleanor F. Jourdain ..?
You can find similar books in the "Read Also" column, or choose other free books by Eleanor F Eleanor Frances Jourdain to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
! ' Qu'est-ce done, que le vrai t C'est la conformity des signes exterieurs, de la voix, de la figure, du mouvement, de Faction, du discours, en un mot de toutes les parties de jeu, aveo un modele ideal ou donne par le poete ou imagine de tite par l'acteur. Voila le merveilleux.' P. 121.
3 See Benedetto Croce, Aesthetic.
' DRAME ' 81 pany. 1 Cool reflection and judgment, Diderot urges, are necessary for this. 2 The collaboration between actor and dramatic author was well understood by Diderot. ...He quotes Voltaire's remark on seeing Clairon in one of his pieces. ' Est-ce bien moi qui ai fait cela ? ' Then, in the Paradoxe (p. 186), he points out that the actor has to lose himself in the poet's conception. ' II faut quelquefois que l'acteur se sacrifie au poete.' Diderot comes to a point at which he asks himself if there is not such a thing as a sensibilite artificielle. By this he probably means imaginative sensibility as opposed to instinctive sensibility. The second interlocutor in the Paradoxe has just been quoting Locke: "...
What to read after Dramatic Theory And Practice in France 1690-1808, By Eleanor F. Jourdain ..?
You can find similar books in the "Read Also" column, or choose other free books by Eleanor F Eleanor Frances Jourdain to read onlineMoreLess
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