Drydens Dramatic Theory And Praxis
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^eSE r L, BR^ NIVERSIT* characters as well as certain "combats" are represented. Nor will Dryden entirely deprive bis countrymen of others of those "objects of horrour" which they so love (according to the Essay), * for we are given a sight of the torture-wheel and of a gallows ; though he does not gratify his audience by a use of these instruments in the open scene (as in "The Indian Emperor", and later in "Amboyna") and, besides, narrates the execution of St. Catharine and her mother. In view... of the above examination we come to the conclusion that "Tyannic Love" is neither an entirely "correct" or "regular" play (according to the French standard) nor are those departures from regularity which Dryden had advocated up to this time, carried out; This play forms, therefore, a good illustration of the lack of any very close connection between theory and praxis in Dry den's dramatic activity. With regard to the avowed purpose of this drama "to second the precepts of religion" by "lively images of piety, adorned by action" we must give Dryden credit for an honest attempt in this line, as embodied in the person of St.
What to read after Drydens Dramatic Theory And Praxis?
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To quickly assess the difficulty of the text, read a short excerpt:
^eSE r L, BR^ NIVERSIT* characters as well as certain "combats" are represented. Nor will Dryden entirely deprive bis countrymen of others of those "objects of horrour" which they so love (according to the Essay), * for we are given a sight of the torture-wheel and of a gallows ; though he does not gratify his audience by a use of these instruments in the open scene (as in "The Indian Emperor", and later in "Amboyna") and, besides, narrates the execution of St. Catharine and her mother. In view... of the above examination we come to the conclusion that "Tyannic Love" is neither an entirely "correct" or "regular" play (according to the French standard) nor are those departures from regularity which Dryden had advocated up to this time, carried out; This play forms, therefore, a good illustration of the lack of any very close connection between theory and praxis in Dry den's dramatic activity. With regard to the avowed purpose of this drama "to second the precepts of religion" by "lively images of piety, adorned by action" we must give Dryden credit for an honest attempt in this line, as embodied in the person of St.
What to read after Drydens Dramatic Theory And Praxis?
You can find similar books in the "Read Also" column, or choose other free books by George Stuart Collins to read onlineMoreLess
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