E. E. Cummings: the Meaning of the Sonnets

Cover E. E. Cummings: the Meaning of the Sonnets
E. E. Cummings: the Meaning of the Sonnets
Mead, David Goddard
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That includes the speaker's emo- tional relation with his woman; he discovers in the course of the con- versation that his feelings for her have been framed by "lust" rather than love, and that he cares naught for her. His lust has created a connection between them as much as mind creates a constellation from disjunct stars.
Here, as in many of the early sonnets, sexuality motivated by simple lust is spiritually depressing. That the moon is, at the mo- ment of the speaker's discovery, "thinner
...than a watchspring," suggests -55- that he is not only emotionally depressed but also waning spiritually - even he has fallen prey, in imagining the moon like a watchspring, to the temptation to reduce external reality to a telling mechanism.
Viva XXI (CP 330) vividly and dynamically satirizes a crowd of drunken revelers staggering out of a speakeasy at dawn.
helves surling out of eakspeasies per( reel )hapsingly proregress heandshe-ingly people trickle curselaughgroping shrieks bubble squirmwrithed staggerful unstrolls collaps ingly flash a of-faceness stuck thumblike into pie is traffic this recalls hat gestures bud plumptumbling hand voices Eye Doangivuh sud- denly immense impotently Eye Doancare Eye And How replies the upsquirtingly careens the to collide flatfooting with Wushyuhname a girl-flops to the Geddup curb leans carefully spewing into her own Shush Shame as(out from behind Nowhere )creeps the deep thing everybody sometimes calls morning As Rudolf Von Abele points out, this sonnet provides a good example of Cummings' use of "anagramming and spoonerism" to intensify meaning (p.


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