Ear Training And Sight Singing Applied to Elementary Musical Theory a Practical
Ear Training And Sight Singing Applied to Elementary Musical Theory a Practical
George a George Anson Wedge
The book Ear Training And Sight Singing Applied to Elementary Musical Theory a Practical was written by author George a George Anson Wedge Here you can read free online of Ear Training And Sight Singing Applied to Elementary Musical Theory a Practical book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Ear Training And Sight Singing Applied to Elementary Musical Theory a Practical a good or bad book?
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Name it. Play it as an harmonic interval. Sing it again after playing, singing 3 and then 8. Flay again, and sing 8 and then 3. Play 1358 from G, F, D and Bb. Practise the minor 6th in each key as outlined above. Play the following: (2) Pitch Drill: 6 may resolve 643 instead of 6 5. Sing: 13565 3565 56531 585643 13564321 35643 564321 8564321 135643 31653 51653 835643 16531 31643 5164321 81653 16431 3516535 1643 81643 164321 35 1643 5643 82785643 1 271643 571643 5721643 The above numbers should ...be written on the staff in C, F and G, treble and bass. Then they should be referred to later and sung from the staff by number and letter. They should also be used for dictation. After they have become comparatively easy in major, they should be studied in minor by lowering the 3rd and 6th. They should also be written in c, f and g minor and sung by number. (3) Exercises for Dictation: Melodies containing 6 4, for dictation and singing: I >l I iCj ifl-H- m fs =*=* i 7' ' fr I" FQ- n f rr ii Lrif ^li Trf If [j-lr ^N IJI T CiTr If r r IT [r^^^ 72 Ear-Training and Sight-Singing 10 J ^ i u j 12 ~^Y n I w mig- m m I i j n J.
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