Eight Notes; Voices And Figures of Music And the Dance

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In the concert-room Mr. Gabrilowitsch, in him- self, lacks the immediate appeal of an unusual per- sonality. He escapes, indeed, the pedagogic air of Mr. Bauer, the businesslike routine of Mr. Hof- mann or the somnolent heaviness of Mr. Lhevinne.
[118] PIANISTS He lacks equally the quick sense of alert power that sprang from Mme. Carreno, for example, as she crossed the stage to the piano; the impression of an uncanny and impish personality that de Pachmann bore through the very door of the ant
...e- room, or the suggestion of mingled remoteness and power that was in Paderewski's presence. When Mr. Gabrilowitsch has gone half his way through a recital, it is easy to find in his bearing the poise, the tensity, the alertness, the token of a finely-tem' pered mind and spirit that are in his playing, He looks his absorption in it, he suggests his elas' tic control of himself and all that he would do The sense of personality, however, is neither upper most in the hearer as it was with de Pachmann nor electric and almost compulsory as it was with Paderewski.

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