Elementary Theory of Music And the Treatment of Chords
Elementary Theory of Music And the Treatment of Chords
Richard Ferdinand Werst
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In short, all those parts of a measure which are the initial note of a triplet, receive a slight accent. — 16 — The following table shows the various kinds of measure with their different accents. a ; 4 S 4 ^ 4 4 4 4 J J I I I m 4 4 4 J I I 4 4 4 4 4 4 J J I ! 9 a T f ^ J J J J J J J J J — 17 — The following example shows into how many different forms rhythm can be separated. G J J ^ ^— J J -—J S. ' ! J J 1 ^ d 4 I I I 4 J J ; J I III I, !! C J /TlS J J #_ 4 ^ ^ # ^ g I — ?=T=^ I I — ^ I I H 4 ...4 4 4 \ 4 4 I i_ 2 j — =*=i — \ — I M 4 4 4 4 4 4_ 4 4 4. _m 4_ %- I J I I I I ^-^ I 3 II jO. \ (^ ^ ^ |_, 2 i-^S l_i22 1-^2 |_J W ^ i rn^ I I I I ^ 4- 4 4 4 4' 4- I ^^ h J' 4 4 4 I I 4_1 4_ fi I I I I I 1 I I 4 ^J 4 4 4 \ a- ^' I /^ I I A^ 444 ^_^U. J J. | J. | l " iJ-JJ g 1 I 1 I I I I 4 cf' \4 4 4 \a I I i I I U ^ - 1-^ • I ^ ' I J- Z fi> . I g) g) g) I ^_^ I (g ' I >g ' I ry « I J II — 18 — The Degree of Motion in which a composition is to be executed is, amongst musicians, ahuost universally indicated by the Italian so-called Tempo Signs, the chief of which are : * 1.
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