Elements of Pen And Ink Rendering Rendering With Pen And Brush
Elements of Pen And Ink Rendering Rendering With Pen And Brush
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Place a single flower, like the wild rose or cosmos, against a white ground so that the relation of its tones to the white paper may be studied; block in the forms, very lightly, with the pencil, indicating the center of the flower and the radiating lines separating the petals. Let the pencil lines be merely a guide to the proportions and the placing of the parts, and depend on the brush to fill in and correct the form. Paint the center first and then each petal. The first painting should show ...the saucer shape of the flower. A dark petal may be kept separated from a light one by a tiny line of dry paper. Cast shadows and dark accents inay be strength- ened afterwards. Fig. 11 shows a cosmos blossom rendered in two stages in the manner above described.
Leaves should be painted before the stems. The begin- ner is apt to paint the stems first and sometimes gets more than he wants, forgetting that stems are covered in many places by leaves. A single brush stroke often suffices for a simple leaf, or when one side is in light and one in shade, two strokes separated by a thin line of paper; it is some- times more expedient to carry the lighter color over all and make the separation with another wash, as in Fig.
What to read after Elements of Pen And Ink Rendering Rendering With Pen And Brush?
You can find similar books in the "Read Also" column, or choose other free books by International Library of Technology to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Place a single flower, like the wild rose or cosmos, against a white ground so that the relation of its tones to the white paper may be studied; block in the forms, very lightly, with the pencil, indicating the center of the flower and the radiating lines separating the petals. Let the pencil lines be merely a guide to the proportions and the placing of the parts, and depend on the brush to fill in and correct the form. Paint the center first and then each petal. The first painting should show ...the saucer shape of the flower. A dark petal may be kept separated from a light one by a tiny line of dry paper. Cast shadows and dark accents inay be strength- ened afterwards. Fig. 11 shows a cosmos blossom rendered in two stages in the manner above described.
Leaves should be painted before the stems. The begin- ner is apt to paint the stems first and sometimes gets more than he wants, forgetting that stems are covered in many places by leaves. A single brush stroke often suffices for a simple leaf, or when one side is in light and one in shade, two strokes separated by a thin line of paper; it is some- times more expedient to carry the lighter color over all and make the separation with another wash, as in Fig.
What to read after Elements of Pen And Ink Rendering Rendering With Pen And Brush?
You can find similar books in the "Read Also" column, or choose other free books by International Library of Technology to read onlineMoreLess
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