Engraving And Etching; a Handbook for the Use of Students And Print Collectors
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Inferior talent was displayed by her brother Adamo, probably at work soon after 1540, and apparently active till 1585. As engravers both were perhaps influenced less by their father than by Giorgio Ghisi, of Mantua, the real head of this School, who probably studied originally as a pupil of the elder Scultor. By earlier writers the mistake has been made of attributing to Adamo and Diana Scultor the family name of Ghisi.
Giorgio Ghisi, il Mantovana (born at Mantua in 1520, died there in 1582), h...as command of a firm and pleasing style. With better success than his master he strove to unite the solidity of Marc-Antonio's execution with the io8 ENGRAVING IN ITALY delicate treatment of the German Little Masters. Between the engraved lines he was accustomed to scatter a number of little dots. Ghisi is wanting in the finer sense of draughtsmanship ; his heads, for instance, are often weak and inexpressive. When he engraved after Raphael or Michael Angelo, he worked with a certain coarseness of Fig.
What to read after Engraving And Etching; a Handbook for the Use of Students And Print Collectors?
You can find similar books in the "Read Also" column, or choose other free books by Königliche Museen Zu Berlin to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Inferior talent was displayed by her brother Adamo, probably at work soon after 1540, and apparently active till 1585. As engravers both were perhaps influenced less by their father than by Giorgio Ghisi, of Mantua, the real head of this School, who probably studied originally as a pupil of the elder Scultor. By earlier writers the mistake has been made of attributing to Adamo and Diana Scultor the family name of Ghisi.
Giorgio Ghisi, il Mantovana (born at Mantua in 1520, died there in 1582), h...as command of a firm and pleasing style. With better success than his master he strove to unite the solidity of Marc-Antonio's execution with the io8 ENGRAVING IN ITALY delicate treatment of the German Little Masters. Between the engraved lines he was accustomed to scatter a number of little dots. Ghisi is wanting in the finer sense of draughtsmanship ; his heads, for instance, are often weak and inexpressive. When he engraved after Raphael or Michael Angelo, he worked with a certain coarseness of Fig.
What to read after Engraving And Etching; a Handbook for the Use of Students And Print Collectors?
You can find similar books in the "Read Also" column, or choose other free books by Königliche Museen Zu Berlin to read onlineMoreLess
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