Epochs of Chinese Japanese Art An Outline History of East Asiatic Design

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Epochs of Chinese Japanese Art An Outline History of East Asiatic Design
Ernest Francisco Fenollosa
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This is its peculiar technique, developed somewhat further than Okio's, to so charge diflFerent sides of the brush with inks of varying tone or with distinct colours, as to be able to execute a transition and a blending with a stroke consisting or a single sweep.
M 2 174 EPOCHS OF CHINESE AND JAPANESE ART Goshun's careful landscapes are of especial beauty. His bamboo stems make a simple but very beautiful composition. Keibun is especially happy in his bird and flower pieces, whose leaves seem f
...airly to pulsate with modulated tint. Toyohiko has left us a finely-painted deer under a pine- tree upon a two-panelled screen in Boston.
Of Okio's direct pupils there is a great host, all celebrated men with stroncy individualities. Kirei is the arch-impressionist ; Genki excels in developing Okio's greys ; Okio's son, Ozui, has left us a beautiful Arashi- yama landscape, at Boston ; Rosetsu has always some humorous antic phase, even in the expression of his puppies ; Taichu became a photo- graphically minute landscape realist ; Chokken painted birds and animals in a most suave style, especially fine with snow.


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