Essays On the Fine Arts
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In our eReader you can find the full English version of the book. Read Essays On the Fine Arts Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Essays On the Fine Arts
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The form is hewn out of the solid rock ; to tint and daub it over with a flimsy, perishable substance is a mockery and a desecration where the work itself is likely to last for ever. A statue is the utmost possible development of form, and that on which the whole powers and faculties of the artist have been bent. It has a right, then, by the laws of intellectual creation to stand alone in that sim- plicity and unsullied nakedness in which it has been wrought. Tangible form (the primary idea) is... blind, averse to colour. A statue, if it were coloured at all, ought to be inlaid, that is, done in mosaic, where the colour would be part of the solid materials. But this would be an un- dertaking beyond human power. Where art has performed all that it can do, w^hy require it to begin its task again ? Or if the addition is to be made carelessly and lightly, it is unworthy of the subject. Colour is at best the mask of form : paint on a statue is like paint on a real face — it is not of a piece with the work, it does not belong to the face, and justly obtains the epithet of meretricious.
What to read after Essays On the Fine Arts?
You can find similar books in the "Read Also" column, or choose other free books by Hazlitt William Carew to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The form is hewn out of the solid rock ; to tint and daub it over with a flimsy, perishable substance is a mockery and a desecration where the work itself is likely to last for ever. A statue is the utmost possible development of form, and that on which the whole powers and faculties of the artist have been bent. It has a right, then, by the laws of intellectual creation to stand alone in that sim- plicity and unsullied nakedness in which it has been wrought. Tangible form (the primary idea) is... blind, averse to colour. A statue, if it were coloured at all, ought to be inlaid, that is, done in mosaic, where the colour would be part of the solid materials. But this would be an un- dertaking beyond human power. Where art has performed all that it can do, w^hy require it to begin its task again ? Or if the addition is to be made carelessly and lightly, it is unworthy of the subject. Colour is at best the mask of form : paint on a statue is like paint on a real face — it is not of a piece with the work, it does not belong to the face, and justly obtains the epithet of meretricious.
What to read after Essays On the Fine Arts?
You can find similar books in the "Read Also" column, or choose other free books by Hazlitt William Carew to read onlineMoreLess
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