Essentials of Music Theory
Essentials of Music Theory
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In our eReader you can find the full English version of the book. Read Essentials of Music Theory Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Essentials of Music Theory
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If the raised seventh were present ill the signature, uniform signatures in the minor would be impossible. It may also be remarked here that the seventh is not always raised during the course of a composition and is necessarily raised only when the composer desires the listener's ear to come at rest on the tonic, in which case the tonic must be preceded by the raised seventh, if the subtonic precedes the tonic in the melody or harmony. The same rules (pages 13 and 15) used in the major for find...ing the key having the next number of sharps and the key having the next number of flats are applicable in the minor. The order of the letters in both the sharp and flat signatures is the same in the minor as in the major. A minor has no sharps, the fifth of ^ is and has one sharp (/): — e f :}^ g a b c d^^ e 123456 78 The fifth of is ^ and has two sharps (/and c)'. — b c# d e f# g ai^ b 12345678 The fifth of b is/# and has three sharps {f, c and ^ ): — f# gS a b c# d e# f# 12 345678 The fifth oif'^ is C^ and has four sharps (/, c, g and d): — c# d# e f# g^ a b# c# 123456 78 24 ESSENTIALS OF MUSIC THEORY.
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You can find similar books in the "Read Also" column, or choose other free books by Carlton Edward Gardner to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
If the raised seventh were present ill the signature, uniform signatures in the minor would be impossible. It may also be remarked here that the seventh is not always raised during the course of a composition and is necessarily raised only when the composer desires the listener's ear to come at rest on the tonic, in which case the tonic must be preceded by the raised seventh, if the subtonic precedes the tonic in the melody or harmony. The same rules (pages 13 and 15) used in the major for find...ing the key having the next number of sharps and the key having the next number of flats are applicable in the minor. The order of the letters in both the sharp and flat signatures is the same in the minor as in the major. A minor has no sharps, the fifth of ^ is and has one sharp (/): — e f :}^ g a b c d^^ e 123456 78 The fifth of is ^ and has two sharps (/and c)'. — b c# d e f# g ai^ b 12345678 The fifth of b is/# and has three sharps {f, c and ^ ): — f# gS a b c# d e# f# 12 345678 The fifth oif'^ is C^ and has four sharps (/, c, g and d): — c# d# e f# g^ a b# c# 123456 78 24 ESSENTIALS OF MUSIC THEORY.
What to read after Essentials of Music Theory?
You can find similar books in the "Read Also" column, or choose other free books by Carlton Edward Gardner to read onlineMoreLess
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