Eugène Delacroix. One Cut in Four Colours, 17 Drawings On Superfine Unglazed Art Paper, 31 Tinted Illus. And 1 Engraving

Cover Eugène Delacroix. One Cut in Four Colours, 17 Drawings On Superfine Unglazed Art Paper, 31 Tinted Illus. And 1 Engraving
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He chose his subjects from foreign romanticism and from history. By such methods he deliberately defied, on the one hand, the academicians and on the other, Ingres, who was far from being beloved by the acade- micians, on account of his realism and his raphaelesque tendencies, but who was still less beloved by the partisans of romanticism, whom he dreaded and who shocked his sense of harmony by their truculence.
It thus came about that the Academic party resigned itself to taking sides with Ing
...res, and, notwithstanding his haughty isolation, lay claim to him as one of themselves in order the better to combat Delacroix. From that moment people persisted in treating as antagonists these two masters, who in reality, were each created to carry on his own lofty work far above the vulgar herd, and indifferent alike to the precepts of the Academy and to the foolish praise and grotesque fury of their own disciples.
The result of this campaign was that Delacroix was for a time debarred from receiving the patronage of the State and was unable to sell the seventeen lithographs which he had executed as illustrations of Faust.


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