Every Love Story is a Ghost Story: a Life of David Foster Wallace

Cover Every Love Story is a Ghost Story: a Life of David Foster Wallace
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In Urbana, before leaving, he had spent his evenings relaxing with pot and bourbon and videos. Amy was also there. “God I feel lucky to have a sister who’s also a prized friend,” he wrote JT. But he’d also pushed forward quietly with his new story. One day Amy came downstairs to find her brother in the kitchen frying a rose in a pan and he said it was for something he was working on. At Yaddo he was taken, as so many writers had been before him, with the gothic main hall in the mansion, the smal...ler houses on the four hundred acres of grounds, the grand expanse devoted to literature and art. Roughly a dozen writers were in residence, alongside composers and other artists. Wallace felt proud to be among them. This was creative life as he had never experienced it, and, ever competitive, it excited him to be among the best.
Wallace had brought along his story-in-progress to work on. He quickly took it up again. The story takes as its point of departure John Barth’s long story “Lost in the Funhouse,”


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