Evolution in Art: As Illustrated By the Life-Histories of Designs
Evolution in Art: As Illustrated By the Life-Histories of Designs
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In our eReader you can find the full English version of the book. Read Evolution in Art: As Illustrated By the Life-Histories of Designs Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Evolution in Art: As Illustrated By the Life-Histories of Designs
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explanation of this fact. The Egyptian pattern was phyllo- morphic from the beginning, originating in symbolism it was primitively, a realistic representation of an erect water- plant.
Maspero says the decoration of each part of the Egyptian temple was in consonance with its position. The lower parts of the walls were adorned with long stems of lotus or papy- rus — bouquets of water-plants emerging from the water.
This then is the solution of the difficulty. The Egyp- tian anthemion, derived fr...om plants emerging from the water, has as a rule no connecting strand. The Assyrian variety, derived from a tassel-skeuomorph, is never without its looped base line, is primarily pendant, and consists in the earliest stage of plants that are non-aquatic.
The rosette (Plate VIII., Figs. 4, 8, 10) is usually stated to be an essentially Mesopotamian device, but it is scattered up and down in Egyptian and Mediterranean art. (Figs. 74, 78, 79, 84.) It may.be characteristic of Assyria, but it is by no means peculiar to it.
What to read after Evolution in Art: As Illustrated By the Life-Histories of Designs?
You can find similar books in the "Read Also" column, or choose other free books by Alfred C Alfred Cort Haddon to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
explanation of this fact. The Egyptian pattern was phyllo- morphic from the beginning, originating in symbolism it was primitively, a realistic representation of an erect water- plant.
Maspero says the decoration of each part of the Egyptian temple was in consonance with its position. The lower parts of the walls were adorned with long stems of lotus or papy- rus — bouquets of water-plants emerging from the water.
This then is the solution of the difficulty. The Egyp- tian anthemion, derived fr...om plants emerging from the water, has as a rule no connecting strand. The Assyrian variety, derived from a tassel-skeuomorph, is never without its looped base line, is primarily pendant, and consists in the earliest stage of plants that are non-aquatic.
The rosette (Plate VIII., Figs. 4, 8, 10) is usually stated to be an essentially Mesopotamian device, but it is scattered up and down in Egyptian and Mediterranean art. (Figs. 74, 78, 79, 84.) It may.be characteristic of Assyria, but it is by no means peculiar to it.
What to read after Evolution in Art: As Illustrated By the Life-Histories of Designs?
You can find similar books in the "Read Also" column, or choose other free books by Alfred C Alfred Cort Haddon to read onlineMoreLess
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