Form in Music With Special Reference to the Designs of Instrumental Music
Form in Music With Special Reference to the Designs of Instrumental Music
Macpherson, S. (Stewart), 1865-1941
The book Form in Music With Special Reference to the Designs of Instrumental Music was written by author Macpherson, S. (Stewart), 1865-1941 Here you can read free online of Form in Music With Special Reference to the Designs of Instrumental Music book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Form in Music With Special Reference to the Designs of Instrumental Music a good or bad book?
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— The Second Subject. The Second Subject, as has already been stated, usually presents some degree of contrast to the First, or Principal, Theme. In aiming at such contrast, though, the composer Relation of j^^s to be careful to avoid anything in the Subiects. Nature of incongruity ; the two themes must of course be in keeping one with the other — a most necessary matter in a movement whose aim is to preserve continuity and a certain degree of unity of style throughout. The Second Subject often... consists of more than one distinct idea or theme, frequently of several. * As these are almost always in the same key, t it is convenient to class them all — however many there may be — under the one heading Different Qf Second Subject, referring to each as first Second Subject, section, second section — and so on — of that Second Subject. As an illustration of this, the student should refer to the Pianoforte Sonata of Beethoven in F (Op. 10, No. 2). Here the Second Subject (section i) begins at bar 18, thus : — 122.
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