Four Psalms Xxiii. Xxxvi. Lii. Cxxi.

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Four Psalms Xxiii. Xxxvi. Lii. Cxxi.
Smith, George Adam, Sir, 1856-1942
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Below them all was in darkness; it was still night, butthe peaks saw the morning, and the signal of its coming fell swiftly downtheir flanks. In this case the Psalm is a matin-song, a character whichthe rest of the verses carry out. Or at any other hour of the day, it maysimply have been the high, clear outline of the hills which inspired thePsalm--that firm step between heaven and earth, that margin of a world ofpossibility beyond. A prophet has said, _How beautiful upon the mountainsare the f...eet of them that bring good tidings!_ But to our Psalmist themountains spread a threshold for a Divine arrival. Up there God Himselfmay be felt to be afoot.
Now to a pure heart and a hungry heart this is always what a mountain vieweffects. 'A hill-top, ' says a recent writer, 'is a moral as well as aphysical elevation. ' He is right, or men would not have worshipped onhill-tops, nor high places have become synonymous with sacred ones. Whetherwe climb them or gaze at them, the mountains produce in us that mingling ofmoral and physical emotion in which the temper of true worship consists.


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