Free Thoughts Upon Methodists Actors And the Influence of the Stage With An I
Free Thoughts Upon Methodists Actors And the Influence of the Stage With An I
Robert Mansel
The book Free Thoughts Upon Methodists Actors And the Influence of the Stage With An I was written by author Robert Mansel Here you can read free online of Free Thoughts Upon Methodists Actors And the Influence of the Stage With An I book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Free Thoughts Upon Methodists Actors And the Influence of the Stage With An I a good or bad book?
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— His memory and Lis works can only perish, when " The cloud-capt towers, the gorgeous palaces, €( The solemn temples — the great globe itself — 41 Yea all which it inherit shall dissolve, " And, like the baseless fabric of a vision, " Leave not a wreck behind V* Many of his dramatic contemporaries have been handed down to posterity, marked with some pleasing trait, reflecting credit on their different characters. One of his brother comedians and particular friends, Alleyn, founded a college at... Dulwich, for the relief of a certain number of old persons, where, to this day, age and poverty return thanks to heaven for ease and comfort, through the benevolence of a profane stage-player. From * A modern vandal has hail the impudent assurance to stigmatise him as a libertine; and asks with unparelled effrontery. «» What loss could society possibly have •• experienced, if the bard had never been called into "existence?" When I first read this vamper of Collier — this furbisher up of old weapons, from the armoury of puri- tanical anti-stagers; I felt inclined to follow him through all his glaring absurdities, and, by exposing them, have left him to the contempt he deserves I But, upon mature reflection, I found it would only have been giving substance to a shadow, locality to nothing, consequence to insignifi- cance and fuel to the flame of vanity 1 149 the SFiakespcrian band, pass on to the company having possession of the theatre in the time of Charles I.
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