Freehand Perspective And Sketching Principles And Methods of Expression in the

Cover Freehand Perspective And Sketching Principles And Methods of Expression in the
Freehand Perspective And Sketching Principles And Methods of Expression in the
Dora Miriam Norton
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— This example (Fig. 170) should be drawn by the student if a beginner. After this the end of a room, also with its farther wall parallel to the picture plane, should be drawn from memory or invention. ^ A hall, a kitchen, a street car, or a piazza will be recognized as especially adapted to such views. The Apparent Width of the Sides. — To aid in estimating this, recall the appearance of the most foreshortened side of the cube in Chapter XVI. This estimate may then be tested by pencil measurem...ent of the cube model. The Pictures. — Although the pic- ture on the right wall is inclined slightly forward, its sides are still parallel to the picture plane ; and therefore appear in their true direction and shape. With the picture on the back it is not so. Its top is slightly nearer to us than its lower edge ; and must therefore appear longer, mak- ing the sides appear to converge " downward (though almost imperceptibly) . To determine the direction of this convergence, revolve it forward on its lower edge in imagination until hori- zontal (Fig.

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