French Art Classic And Contemporary Painting And Sculpture

Cover French Art Classic And Contemporary Painting And Sculpture
French Art Classic And Contemporary Painting And Sculpture
W C William Crary Brownell
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Less the pitiless pessiii of Flaubert, Gancoi*. >^id. Maup'^ ^ m well.
But to go back a 1 ties, the gref^* *" as it wei^^' disturb M.
ill 'iA, U\ «. >tlfU/'5>. .. IC^ I^U ^ :Uiet, fixed: **M'.
paiBter of whom M ^^ ' sowed, M. . Ba!^leii-i^pji^^ iiu;s rcapea.
Manet was certainly one of the most iioiewoimy pan that France or any other country has produced. Ilh great, the very rare, merit of having conceived a new puiii view. That he did not illustrate this in its completeness, w be w^as a sign-po
...st, as Albert Wolff very - * ' "' an exemplar, is nothing. He was totally ucuieraiucy, »r»^ in his way superb. No one before him ' ^ otife before' Mm had ever t? -^ " of — the iiiiHiuiirsc proie'i'i bre-«':%gi %m% rda-tively but ausomtely, with '^* -mventiui?: I fer ^m first time at one of his picti [100] ITTIMHIH . 1 -^^ Vn-' A . Vll REALISTIC PAINTING, /> customary notions, ordinary brushes, traditional processes of even the highest authenticity, have been thrown to the winds. Hence, in4eed, the scandal which he caused from the first and which went on increasing, until, owing to the acceptance, with modifications, of his point of view by the most virile and vigorous painters of the day, he became, as he has become, in a sense the head of the corner.

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