French Romanticism And the Press: the Globe

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Duvergier de Hauranne.
The belief is expressed that hardly two persons held the same opinion on this subject. We have already given the different views in our estimate of Romanticism, so that there is no need to traverse the same ground again. The critic reiterates the well-known fact that the Romanticists themselves differed widely ; the names of Hugo and Stendhal are quoted in support of this view. The Globe, however, lays stress on the destructive side of their work ; they had to destroy the
... passion for the hackneyed compositions of the past, and the goal of their ambition was la v&it^. The objection taken to the Pseudo-Classicists is that they judged after certain models which were, not only out of date, but also detrimental to originality. We have already made a The ''Globe" and Criticism 115 distinction between the real Classical Authors and the Pseudo-Classicists ; it is against the latter that the Globe protests for their misuse of the true Classical models.
A glaring instance of this spirit is quoted ; Soumet was despised, because his imitation of Aeschylus was too classical : while Picard, who was daring in his innova- tions, was welcomed with open arms.


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