Garden Design And Architects' Gardens; Two Reviews, Illustrated, to Show, By Actual Examples From British Gardens, That Clipping And Aligning Trees to Make Them 'harmonise' With Architecture is Barbarous, Needless, And Inartistic
The book Garden Design And Architects' Gardens; Two Reviews, Illustrated, to Show, By Actual Examples From British Gardens, That Clipping And Aligning Trees to Make Them 'harmonise' With Architecture is Barbarous, Needless, And Inartistic was written by author William Robinson Here you can read free online of Garden Design And Architects' Gardens; Two Reviews, Illustrated, to Show, By Actual Examples From British Gardens, That Clipping And Aligning Trees to Make Them 'harmonise' With Architecture is Barbarous, Needless, And Inartistic book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Garden Design And Architects' Gardens; Two Reviews, Illustrated, to Show, By Actual Examples From British Gardens, That Clipping And Aligning Trees to Make Them 'harmonise' With Architecture is Barbarous, Needless, And Inartistic a good or bad book?
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The opposite of this is indeed the truth, for many gardens and parks laid out with some regard to landscape beauty are partly spoiled by the size and number of the walks, as in the gardens around Paris — the Pare Monceau and Buttes Chaumont, for instance. The slightest GARDEN DESIGN ^1 knowledge of gardens would show that walks like threads are no necessary part of landscape gardening ! This error shows well the effect of men reading and writing about what they have not seen. The axiom on which... landscape gardening rests is declared by Messrs. Blomlield and Thomas to be Whatever Nature does is right ; therefore let us go and copy her (p. 5). Here is a poor sneer at true art, not only at art in landscape gardening, but in all the fine arts. The central and essential idea of the landscape art is choice of what is beautiful — not taking the salt waste in Utah, or a field of weeds, or a Welsh slope of decayed slate, or the bog of Allen, or the thousand other things in Nature that are monotonous or dull to us, even though here and there beautiful as a wide bog may be.
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