Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age
Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age
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In our eReader you can find the full English version of the book. Read Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age
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gallery. ' His particular excellence was in characters that may be called still life — I mean the stiff, the heavy, and the stupid. To those he gave the exactest and most ex- pressive colours, and in some of them looked as if it were not in the power of human passions to alter a feature of him. In the solemn formality of Obadiah in " The Com- mittee, " and in the boobily heaviness of Lolprop in " The Squire of Alsatia, " he seemed the immovable log he cared for : a countenance of wood could not... be more frigid than his when the blockhead of a character required it. His face was full and long : from his crown to the end of his nose was the shorter half of it ; so that the disproportion of his lower features, when soberly compressed, with an unwondering eye hanging over them, threw him into the most lumpish, moping mortal that ever made beholders merry ; not but, at other times, he could be wakened into spirit equally ridiculous. In the coarse rustic humour of Justice Clodfeet, in " Epsom Wells, " he was a delightful brute ; and in the blunt vivacity of Sir Sampson, in " Love for Love, " he showed all .
What to read after Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age?
You can find similar books in the "Read Also" column, or choose other free books by W H Davenport William Henry Davenport Adams to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
gallery. ' His particular excellence was in characters that may be called still life — I mean the stiff, the heavy, and the stupid. To those he gave the exactest and most ex- pressive colours, and in some of them looked as if it were not in the power of human passions to alter a feature of him. In the solemn formality of Obadiah in " The Com- mittee, " and in the boobily heaviness of Lolprop in " The Squire of Alsatia, " he seemed the immovable log he cared for : a countenance of wood could not... be more frigid than his when the blockhead of a character required it. His face was full and long : from his crown to the end of his nose was the shorter half of it ; so that the disproportion of his lower features, when soberly compressed, with an unwondering eye hanging over them, threw him into the most lumpish, moping mortal that ever made beholders merry ; not but, at other times, he could be wakened into spirit equally ridiculous. In the coarse rustic humour of Justice Clodfeet, in " Epsom Wells, " he was a delightful brute ; and in the blunt vivacity of Sir Sampson, in " Love for Love, " he showed all .
What to read after Good Queen Anne Or Men And Manners Life And Letters in Englands Augustan Age?
You can find similar books in the "Read Also" column, or choose other free books by W H Davenport William Henry Davenport Adams to read onlineMoreLess
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