Great Works of Music Symphonies And Their Meaning

Cover Great Works of Music Symphonies And Their Meaning
Great Works of Music Symphonies And Their Meaning
Philip H Philip Henry Goepp
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-* J M^MM * And now we are rolling towards the end, the first song of melodies fuller and more boisterous. There is always the same feeling of march of pious knights. And there are many touches of the kinship of the main themes of first and last movement. For instance, a sudden quiet retreat (which is written Tranquillo in the score), seems at first new with its strange, slow swing in four-voiced woodwind : Tranquillo.
WOODWIND, melody doubled above in Flutes. (Echo in STRINGS. ) SYMPHONIES AND
... THEIR MEANING Now, this is, of course, primarily and poeti- cally a romantic refuge from the din of strife. But in its melodic origin it comes not only from the first melody of the finale, but most clearly from the very motto of the original movement. It is, indeed, a melody in this very motto, pure and simple.
Strictly, we have here gone back, for a mo- ment, before the reprise of melodies. Return- ing, after the final rollicking episode, there is a quaint droning of monks' fugue, in second melody, sung in pairs : WOODWIND, doubled above.


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