Guide Through the Music of R Wagners the Ring of the Nibelung Der Ring Des

Cover Guide Through the Music of R Wagners the Ring of the Nibelung Der Ring Des
Guide Through the Music of R Wagners the Ring of the Nibelung Der Ring Des
Hans Von Wolzogen
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For Mime, left alone with his idle meditations, the wanderer's song changes into ring- motive, and his anxious meditation ends in sharp ff. With the melody of renuncia- tion; >>des Niblungen Neid, Noth und Schweiss metet mir Nothung nicht. « (»The Niblung's heat, greed and need, se)ve me not Nothung to heat«).
At his last words appears already seriously and ma- jestically Wotan's Wanderer-Motive (60. A. ) in full i -€r- :J5r f~r rs 'TT I St :etc.
chords; followed by his noble and simple wanderi
...ng melody (60. B. ) This is the musical countenance, which Wotan keeps up throughout the whole second scene in contrast with Mime, whose uneasiness expresses itself in a quivering, abrupt figure. The nature of this contest between the god and the Nibelung required a most symmetrical structure of the scene. It begins with the migt%, imposing motive of treaty, with which Wotan quietly seats himself near the forge of the frightened smith, and which Mime with affected threatening returns in the face of the unwelcome guest, when he says: »Dein Haupt pfdnd' ich filr den Heerdh (»Tliy head hold I for my hearth «).

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