Guide to the Study of Musical History And Criticism;

Cover Guide to the Study of Musical History And Criticism;
Guide to the Study of Musical History And Criticism;
Dickinson, Edward, 1853-1946
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Grove s Dictionary; articles — Sonata (pp. 569-71), Concerto, Digitized by Google 49 Church Music: 17. Jahn, Life of Mozart, I., chap, xiii.; II., pp. 93-102.
Early Operas: 18. Jahn, Life of Mozart, I., pp. 68-94; chap, viii., pp. 210-225, 225-30; II., pp. 127-9, H2-6, 146-64.
XXXIV.
WOLF(?ANG- AMADE MOZART.— IL ^ I. Mozart's place in the first rank of composers is due to his operas.
2. "The Marriage of Figaro," 1786; history of the composition; origin of the libretto; dramatic merit; the chara
...cters.
3. Mozart's music to this text; his infallible dramatic instinct; appropriateness of the music to every character and situa- tion.
4. Beauty of melody; unequaled expression of humor; theyf«- ale, its dramatic possibilities fully realized by Mozart.
\ 5. The instrumental accompaniment; perfect balance of rela- tion between voices and orchestra; Mozart's unsurpassed mastery of musical science at the service of expressive melody.
6. "Figaro" the most perfect example of high class musical comedy.


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