Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An
Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An
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In our eReader you can find the full English version of the book. Read Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An
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To quickly assess the difficulty of the text, read a short excerpt:
On Light and Shade.
49 When the local colour of the objects is dark, and unrc- flective or absorbent of rays, these laws are not so apparent, and it is for this reason that white or light models are the best for students to work from.
72. The attention should now be drawn to another very important property of shade its gradation on round FIG. 34.
objects. "We have already said that in all cases shade should be perfectly even and free from spottiness. This fact applies to shade under all circums...tances, on round as on flat surfaces. The simplest form on which gradation can be seen is on a cylinder, such as the pillar (Fig. 34), or on a roll of white paper, where the gradation is in one di- rection only. If you have a sphere, such as an india-rubber 50 On Light and Shade.
ball, you will sec that the shade graduates in all directions, but regularly ; whilst on an egg, or on the parts of a face, the gradation is much more complex.
The great aim in the working of graduated shade, how- ever, should be to keep it not only even, but tender, for all fine work is delicate, and it is better to sacrifice some of the roundness of appearance than the delicacy of work.
What to read after Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An?
You can find similar books in the "Read Also" column, or choose other free books by William Walker to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
On Light and Shade.
49 When the local colour of the objects is dark, and unrc- flective or absorbent of rays, these laws are not so apparent, and it is for this reason that white or light models are the best for students to work from.
72. The attention should now be drawn to another very important property of shade its gradation on round FIG. 34.
objects. "We have already said that in all cases shade should be perfectly even and free from spottiness. This fact applies to shade under all circums...tances, on round as on flat surfaces. The simplest form on which gradation can be seen is on a cylinder, such as the pillar (Fig. 34), or on a roll of white paper, where the gradation is in one di- rection only. If you have a sphere, such as an india-rubber 50 On Light and Shade.
ball, you will sec that the shade graduates in all directions, but regularly ; whilst on an egg, or on the parts of a face, the gradation is much more complex.
The great aim in the working of graduated shade, how- ever, should be to keep it not only even, but tender, for all fine work is delicate, and it is better to sacrifice some of the roundness of appearance than the delicacy of work.
What to read after Handbook of Drawing By William Walkerwith Upwards of Two Hundred Woodcuts An?
You can find similar books in the "Read Also" column, or choose other free books by William Walker to read onlineMoreLess
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