The book Harlan Ellison's Watching was written by authors Harlan Ellison, Leonard Maltin Here you can read free online of Harlan Ellison's Watching book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Harlan Ellison's Watching a good or bad book?
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By some noted fabulist like Borges; or Satie or Arcimboldo; by Gaudi or the Brothers Grimm; more likely by Clifford Irving. (And within days Glen A. Larson—far-famed for his creation of such original television concepts as Alias Smith and Jones, BJ and the Bear and Battlestar Galactica—would have erected, out of cardboard and mucilage, an approximation of the Black Tower just a few miles farther along the Cahuenga Pass.) At no two consecutive points, one often feels, does what goes on in the To...wer touch the rational universe. The Universal Tower rises from the North Hollywood flats like a Kubrick monolith farted off the Lunar surface. There are rumors Childe Roland is still a prisoner up there on the fifteenth floor. On moonless nights, when the ghosts of Universal executives who thought A Countess from Hong Kong, The Island and Streets of Fire would be smash hits drift silently around the back lot, ectoplasmic hands clapped over ectoplasmic ears in vain endeavor to block out the heavy metal caterwauling from the Universal Amphitheater, if one whizzes past the Tower on the Hollywood Freeway, one can still hear Rapunzel shrieking her guts out for someone to climb up her hair and release her from her starlet's contract. For five years, commencing on Thursday, September 18th, 1698, the Bertaudiere Tower in the Bastille of Paris held a nameless prisoner whose face was covered by a black velvet cloth that Dumas père transformed into "a visor of polished steel soldered to a helmet of the same nature." For seven weeks, commencing Monday, November 15th, 1971, the northwest corner of the 9th floor of the Universal Tower held a nameless writer whose mind was covered by a black smog ABC-TV transformed into "a lemminglike urge to hurl oneself through the ninth floor window to a messy fadeout." For seven weeks Dopplering toward, through, and past Christmas 1971, I sold my soul to Universal Studios, then-president Lew Wasserman, a producer named Stan Shpetner, a primetime tv series called The Sixth Sense, the American Broadcasting Company, and anybody else who would make a reasonable bid on damaged goods, tacky remnants, floating ethics, and seriously flawed seconds; in short, I departed in a moment of greed and weakness from eleven years as a film and television writer to join the enemy on the other side of the desk.
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