Harmony in Pianoforte Study a book for the Individual Student
Harmony in Pianoforte Study a book for the Individual Student
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In our eReader you can find the full English version of the book. Read Harmony in Pianoforte Study a book for the Individual Student Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Harmony in Pianoforte Study a book for the Individual Student
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To quickly assess the difficulty of the text, read a short excerpt:
(Ex. 95. ) Auxiliary Sounds 47 Ex. 05.
Allegro.
Note 60. We have seen that the use of auxiliary sounds below the members of a chord entails the introduction of chromatic sounds on those foreign to the key-signature. Sounds of this nature may be freely employed in passing from chord to chord, provided that the one con- dition common to the use of all auxiliary sounds be observed that resolution be effected strictly by conjunct means or, in other words, by the step of a 2nd. (Cf. Note 55. ) Ex. 9...6 contains sounds of this kind.
Ex. 96.
i Note 61. RAe student is now in a position to improvise progres- sions formed upon the tonal harmonies generally, and it should be his ambition steadily to increase the number of chords used. The chordal 48 Harmony in Pianoforte-Study successions outlined in Step XCVI have been frequently used as ex- amples of basic harmonies, and they possess, at least, the merits of simplicity and directness. But the student must no longer be content to limit his exemplification to harmonic conventions; on the contrary, he must begin to experiment in the broadest possible manner.
What to read after Harmony in Pianoforte Study a book for the Individual Student?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Fowles to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
(Ex. 95. ) Auxiliary Sounds 47 Ex. 05.
Allegro.
Note 60. We have seen that the use of auxiliary sounds below the members of a chord entails the introduction of chromatic sounds on those foreign to the key-signature. Sounds of this nature may be freely employed in passing from chord to chord, provided that the one con- dition common to the use of all auxiliary sounds be observed that resolution be effected strictly by conjunct means or, in other words, by the step of a 2nd. (Cf. Note 55. ) Ex. 9...6 contains sounds of this kind.
Ex. 96.
i Note 61. RAe student is now in a position to improvise progres- sions formed upon the tonal harmonies generally, and it should be his ambition steadily to increase the number of chords used. The chordal 48 Harmony in Pianoforte-Study successions outlined in Step XCVI have been frequently used as ex- amples of basic harmonies, and they possess, at least, the merits of simplicity and directness. But the student must no longer be content to limit his exemplification to harmonic conventions; on the contrary, he must begin to experiment in the broadest possible manner.
What to read after Harmony in Pianoforte Study a book for the Individual Student?
You can find similar books in the "Read Also" column, or choose other free books by Ernest Fowles to read onlineMoreLess
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