Harvard Lectures On the Originality of Greece

Cover Harvard Lectures On the Originality of Greece
Harvard Lectures On the Originality of Greece
S H Samuel Henry Butcher
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Plato would not have agreed with Aristotle's view. The supreme test of artistic excellence is, he holds, the pleasure afforded to ' the one man who is pre-eminent in virtue and education. ' 1 He contrasts his own age with earlier times. The judges, he says, have now fallen under the dominion of the audience ;— and he coins the word dearpoKparia to denote this idea. Instead of instructors they have become the pupils of the crowd. They have yielded to the clamour of the theatre : and the poets in
... turn, infected by their corruption, are obliged to humour a de- generate public. 2 It is indeed probable that popular taste underwent some weakening in the fourth century. Rut the contrast as drawn iii. 15. 1286 a 30 5ib kclI Kplvei dfxeivov 3xXos 7roXXa rj eh ooTKjovv.
1 Laws ii. 659 A eua rbv apery re Kal irai. 5eia dicupe" povra.
2 lb. Ii. 659 A — C, iii. 700 C — 701 A.
v GREEK LITERARY CRITICISM 179 by Plato is surely overstated. The drama has been truly called the most democratic of the arts ; 1 and in every age when it has been a living force, the influence of the audience has been powerfully felt.


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