Hermathena No. 11
Hermathena No. 11
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If the principle of variable quantity is sound, it would seem that 1 The spelling valitudo, however, indicates that the e was shortened. Cf.
pudibundu* for pudebundut.
O2 196 THE CAUSE OF VARIABLE AND their final syllables, instead of being always short, ought to have variable quantity, just as nihil, modb, vblo, cave, miAi, have variable quantity. For it must not be lost sight of that, in comedy, words like mane, obi, volo, puta are not always pyrrhics. They became pyrrhics under certain defin...ite and ascertainable conditions ; but, when those conditions are removed, they resume their natural and original metrical value as surely and inevitably as a spring resumes its natural shape when released from pressure. Thus, in the verse quoted above, mane ma\ne 9 Cha\rine, etc., mane has its e short in the first foot because, under the conditions, it could not be anything else ; and long in the second foot, for the same reason. Strictly speaking, we can hardly even say that in comedy the e of mane is common ; for it was not in the poet's power to make it long or short at will, but he instinctively, and automatically, as it were, obeyed a rhythmical law as binding as the law of gravitation itself, — a law which was obeyed by the little Roman child as surely and faultlessly as by the experienced poet.
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To quickly assess the difficulty of the text, read a short excerpt:
If the principle of variable quantity is sound, it would seem that 1 The spelling valitudo, however, indicates that the e was shortened. Cf.
pudibundu* for pudebundut.
O2 196 THE CAUSE OF VARIABLE AND their final syllables, instead of being always short, ought to have variable quantity, just as nihil, modb, vblo, cave, miAi, have variable quantity. For it must not be lost sight of that, in comedy, words like mane, obi, volo, puta are not always pyrrhics. They became pyrrhics under certain defin...ite and ascertainable conditions ; but, when those conditions are removed, they resume their natural and original metrical value as surely and inevitably as a spring resumes its natural shape when released from pressure. Thus, in the verse quoted above, mane ma\ne 9 Cha\rine, etc., mane has its e short in the first foot because, under the conditions, it could not be anything else ; and long in the second foot, for the same reason. Strictly speaking, we can hardly even say that in comedy the e of mane is common ; for it was not in the poet's power to make it long or short at will, but he instinctively, and automatically, as it were, obeyed a rhythmical law as binding as the law of gravitation itself, — a law which was obeyed by the little Roman child as surely and faultlessly as by the experienced poet.
What to read after Hermathena No. 11?
You can find similar books in the "Read Also" column, or choose other free books by Ireland Trinity College Dublin to read onlineMoreLess
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