Historical Literary And Artistical Travels in Italy a Complete And Methodica

Cover Historical Literary And Artistical Travels in Italy a Complete And Methodica
Historical Literary And Artistical Travels in Italy a Complete And Methodica
Antoine Claude Pasquin Valery
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At the theatre of Saint Augustine, they were playing that antique and terrible tragedy of A Ifieri's, Poiynice. The ac- tors, though but tolerable, were much applauded, and they not appeared less moved by public favour than in other Italian theatres. > It was ludicrous enough for those hostile brothers to be opportunely pacified to make their bows of acknowledgment, and, after having just left the stage in a fury, to reappear suddenly with a calm and solemn air, to make their respectful salutat
...ions to the pit. All this gratitude and polite- ness seems still more ridiculous in the absence of singing and music. It occa- sionally happens that actors are thus called for several times in succession: in ^S3i, at Leghorn, I saw Cosselii, Duprez and signora Ungheri, who sung the Parisinaot Donizetti, called on five con- secutive times. It is true that this frenzy was a kind of reaction against the Matri- monio secrelo and Lablache, who had displeased the public the previous even- ing. The delicious chef-d'oeuvre of Ci- niarosa had so far made fiasco on that day, that they durst not show it again, so played the Barbiere di Seviglia in its stead.

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