History of Art in Phœnicia And Its Dependencies 2

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History of Art in Phœnicia And Its Dependencies 2
Perrot, Georges, 1832-1914
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* The ancients sometimes applied the word ridpa to the royal head-dress, but in that case they supplemented it with the adjective dp^, straight ^ From De Vogui^, Melanges, 6-f., plate v.
246 History of Art in Phcenicia and its Dependencies.
Phoenician workmen. If a Jew was ready to use a seal engraved with Egyptian symbols, he would commission it from some Tyrian or Sidonian lapidary, established, perhaps, in a Jewish city. In all artistic matters the Jews were dependent on their neighbours. In
... Fig. 1 74 we see a winged, hawk-headed sphinx crowned with the pschent ; beneath it we read : In remembrance of Hoschea. In Fig.
175 a divinity kneels upon a lotus flower, the head being that of Hathor with her horns and disk. The inscription may be thus interpreted: To Abion, servant' of Ouzzion.
Fig. 174. — Scarab in the British Museum.^ Fig. 175. — Intaglio. ^ On some stones imitation of Egypt is combined with that of Assyria, in a convex carnelion from Amrit for instance (Fig. 176).
We there see a priest in Assyrian dress, but with the pschent on his head, sacrificing a female quadruped, perhaps a doe ; her four young ones appear beneath her.


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