History of Art in Phoenicia And Its Dependencies volume 1
History of Art in Phoenicia And Its Dependencies volume 1
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Of the Monimenti of the Jnstitut de Correspondancc archeologique ; but aided by a fine photograph, for which we are indebted to the kindness of M. Fiorelli, our draughtsman has endeavoured to give his figures a sharper contour and to mark their relief with more accuracy. 1 M. RLNAN suggests that the name is that of some person deceased, to whose memory the dish was consecrated, and whose person was symbolized by the hawk which occupies the centre. We find it difficult to admit this explanation ...for an object which was destined, by its very nature, to pass from hand to hand, and, as the place of the discovery proves, to become an object of commerce. 4 Corpus Inscriptionum Semiticarum, pars i. Plate 29. GENERAL REMARKS UPON THE STUDY OF PHOENICIAN ART. 99 label, if we may use the word, of a Phoenician agent attached to them. If we take them one by one, we may surely arrive at an idea of the taste and methods of the Carthaginian worker in precious metal ; I say Carthaginian because philologists have marked a peculiarity in the text of this platter which suggests an African rather than a Syrian origin.
What to read after History of Art in Phoenicia And Its Dependencies volume 1?
You can find similar books in the "Read Also" column, or choose other free books by Perrot, Georges, 1832-1914 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Of the Monimenti of the Jnstitut de Correspondancc archeologique ; but aided by a fine photograph, for which we are indebted to the kindness of M. Fiorelli, our draughtsman has endeavoured to give his figures a sharper contour and to mark their relief with more accuracy. 1 M. RLNAN suggests that the name is that of some person deceased, to whose memory the dish was consecrated, and whose person was symbolized by the hawk which occupies the centre. We find it difficult to admit this explanation ...for an object which was destined, by its very nature, to pass from hand to hand, and, as the place of the discovery proves, to become an object of commerce. 4 Corpus Inscriptionum Semiticarum, pars i. Plate 29. GENERAL REMARKS UPON THE STUDY OF PHOENICIAN ART. 99 label, if we may use the word, of a Phoenician agent attached to them. If we take them one by one, we may surely arrive at an idea of the taste and methods of the Carthaginian worker in precious metal ; I say Carthaginian because philologists have marked a peculiarity in the text of this platter which suggests an African rather than a Syrian origin.
What to read after History of Art in Phoenicia And Its Dependencies volume 1?
You can find similar books in the "Read Also" column, or choose other free books by Perrot, Georges, 1832-1914 to read onlineMoreLess
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