Horses And Movement, From Paintings And Drawings By

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For when looking on at such a scene we should be watching the action, not noticing details of the actors.
How far the underlying basic rhythms of such pic- tures resemble nature's rhythms it would be difficult to determine. Yet, we are often struck by the vividness and exactness with which some lively sketch recalls a natural movement.
Artists must vary as much in their perception of movement as they do in that of colour, tone or form.
Some must have quicker eyes than others. The normal eye req
...uires, I think, fourteen films to the second in the cinematograph if it is not to notice any interruption in the continuity of the picture on the screen, though the required number varies with the intensity of the light.
Both quick and slow eyes see no doubt beauty and interest invisible to each other. Every artist, then, has a different problem, and must discover for himself how to convey his impression. He must rely upon his own first- hand observation interfered with as little as possible by the vision of others, or the vision of the camera.


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