How to Make Good Pictures a book for the Amateur Photographer
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In our eReader you can find the full English version of the book. Read How to Make Good Pictures a book for the Amateur Photographer Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book How to Make Good Pictures a book for the Amateur Photographer
What reading level is How to Make Good Pictures a book for the Amateur Photographer book?
To quickly assess the difficulty of the text, read a short excerpt:
Over-development. Negative too weak or thin.
Perhaps the wrong degree of contrast of paper was used; try Regular Velox or Contrast.
PRINTS ARE Too LIGHT, LACK DETAIL.
Under-exposure or under-development ; try Special Velox. GRAYISH WHITES THROUGHOUT ENTIRE PRINT.
Chemical or light fog, test the light (see page 114. ) Insufficient Potassium Bromide in developer.
Too long development.
Old paper.
GRAYISH MOTTLED OR GRANULATED APPEARANCE OF EDGES OR ENTIRE PRINT.
Under-exposure, forced development....
Old paper.
Moisture, paper kept in damp place.
Chemical fumes, Ammonia, Gas, etc.
PRINTING 127 GREENISH OR BROWNISH TONES, SOMETIMES MOTTLED Developer exhausted, badly discolored, or too cold.
Excess of Potassium Bromide.
Over-exposure.
BROWN OR RED STAINS.
Exhausted or oxidized developer. (Never use developer after it is much discolored or when too warm. ) Fixing bath lacks sufficient acid (sometimes milky) and prints were not moved occasionally to allow even fixing. (See page 121. ) PURPLE DISCOLORATION (Not Frequent.
What to read after How to Make Good Pictures a book for the Amateur Photographer?
You can find similar books in the "Read Also" column, or choose other free books by Eastman Kodak Company to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Over-development. Negative too weak or thin.
Perhaps the wrong degree of contrast of paper was used; try Regular Velox or Contrast.
PRINTS ARE Too LIGHT, LACK DETAIL.
Under-exposure or under-development ; try Special Velox. GRAYISH WHITES THROUGHOUT ENTIRE PRINT.
Chemical or light fog, test the light (see page 114. ) Insufficient Potassium Bromide in developer.
Too long development.
Old paper.
GRAYISH MOTTLED OR GRANULATED APPEARANCE OF EDGES OR ENTIRE PRINT.
Under-exposure, forced development....
Old paper.
Moisture, paper kept in damp place.
Chemical fumes, Ammonia, Gas, etc.
PRINTING 127 GREENISH OR BROWNISH TONES, SOMETIMES MOTTLED Developer exhausted, badly discolored, or too cold.
Excess of Potassium Bromide.
Over-exposure.
BROWN OR RED STAINS.
Exhausted or oxidized developer. (Never use developer after it is much discolored or when too warm. ) Fixing bath lacks sufficient acid (sometimes milky) and prints were not moved occasionally to allow even fixing. (See page 121. ) PURPLE DISCOLORATION (Not Frequent.
What to read after How to Make Good Pictures a book for the Amateur Photographer?
You can find similar books in the "Read Also" column, or choose other free books by Eastman Kodak Company to read onlineMoreLess
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