How to Sing a Song the Art of Dramatic And Lyric Interpretation

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. J'suis condamne", Parcequ'il est prouve" qu'j'assassine . . . Et faut qu'j'attende pale, vanne* L'moment supreme de la guillotine. . . . Et puis un beau jour on m'dira C'est pour ce matin ! Faites votr'toilette ! J'sortirai ... La foule saluera Ma t&e !
Now we have in each song the same poignant, tragic episode, the drama of the guillotine. But in the case of La Pierreuse the drama is seen, in the case of L' Apache it is lived.
La Pierreuse is communicating to us her emotion, but it is the em
...otion of death she sees, it is not the emotion of L 'Apache who will experience death.
La Pierreuse will look in deadly fear at her lover marching toward death, but L' Apache DIFFERENT FORMS OF TRAGEDY 55 will stare with white eyes, almost hypnotized, at the scaffold which is to bring him death. ' The one is the exterior, the second is the in- terior expression of tragedy, which you will also distinguish by the different coloration of voice.
La Pierreuse is pretty far away from the real scene of death, her voice becomes shrill, her instinct tells her that her last call : Pi, Quit!


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