How to Study Kreutzer; a Handbook for the Daily Use of Violin Teachers And Violin Students, Containing Explanations of the Left Hand Difficulties And of Their Solution, And Directions As to the Systematic Acquirement of the Various Bowing, Both Firm And B
The book How to Study Kreutzer; a Handbook for the Daily Use of Violin Teachers And Violin Students, Containing Explanations of the Left Hand Difficulties And of Their Solution, And Directions As to the Systematic Acquirement of the Various Bowing, Both Firm And B was written by author Benjamin Cutter Here you can read free online of How to Study Kreutzer; a Handbook for the Daily Use of Violin Teachers And Violin Students, Containing Explanations of the Left Hand Difficulties And of Their Solution, And Directions As to the Systematic Acquirement of the Various Bowing, Both Firm And B book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is How to Study Kreutzer; a Handbook for the Daily Use of Violin Teachers And Violin Students, Containing Explanations of the Left Hand Difficulties And of Their Solution, And Directions As to the Systematic Acquirement of the Various Bowing, Both Firm And B a good or bad book?
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The fingers should be held down as much as possible ; which stretches them over the finger board and gives them a good shape — a matter not all done at once, but which once done will well repay the student for all his pains. The fourth finger extensions in measures 35, 36, 37, 38, will need special care. Bow. As a martele- study this is one of the finest in exis- tence. It is customary to play the high notes with an up bow, the low notes with a down. Profit may be had if this be reversed. Draw ...bow to extreme point ; place it cleanly on the string before starting the stroke. The upper arm should be iairly immovable, perhaps not altogether so ; and must assume, if BOW TO STUDY KREUTZER. 23 we may so express ourselves, the position — as the case may be — for the plane of an imaginary or actual intermediate string. The upper arm should also control by a proper amount of ten- sion the amplitude of the stroke, which must become the shorter the higher the rate of speed. Use a bold and sharp stroke ; with neat beginning and ending.
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