Hyperacoustics volume 2

Cover Hyperacoustics volume 2
Hyperacoustics volume 2
John L Dunk
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Again, on adding B to V we get the Applement of an Oscillant to an Octave (the Minor Seventh), which might be labelled Indigo, symbol I.
The colour symbolism might then be extended to — Major Ninth : W plus O : Orange. Minor Seventh : W minus : Indigo.
But I personally think it better to restrict the colour symbols to the early Series Chromes and their concordant compounds.
It is the great theoretical defect of the E. T. A. System that the Semitone^ unit has to_do__duty ^for two " Flue nt " val
...ues considerably different in just intonation.
The gener al te r m " Antinominant, "_ symbol A, of one-twelfth of an_^ctave. Therefore represents both — ""^ (i) The diatonic^ /'" Impellant " of Intermediate (First- Second) Order as the converting difference between R — G and M — B. Its frequency ratio is 16 : 15, and its justly intoned value is 1-13685 of an E. T. A. Jf f^fir-^ Cj^-, ;5V c*, k8^ It receives the name " Impellant, " with the consequent symbol I, from its use as the scalar Interval from the so-called Leading " SIAiULTANEOUS TONALITY" 25 note Te to the Tonic Doh (and in Coincidental Species from Fah to Me).


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