Interpreters And Interpretations
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The stage management is very old-fashioned and is not calculated to bring out the best in the operas presented ... In one sense, ill one very real [190] The Problem of Style sense, Mr. Gatti-Casazza has done our public a service in producing such operas (some of them for the first time here) as The Bartered Bride, Fir delio, Armide, Orfeo, Ariane et Barbe-Bleue, Die Zauberflote, Le Nozze di Figaro, Euryanthe, Iphi- genie en Tauride, Boris Godunow, Prince Igor and Der Rosenkavalier, but it canno...t be said in any of these instances (with the possible exceptions of The Bartered Bride, Boris Godunow, and, to a certain extent, Orfeo) that the works have been presented with full regard for their style. There were extraordinary features about the production of Armide, the impersonation of Olive Fremstad, the singing of Mr. Caruso, and the conducting of Mr. Toscanini, but the scenery was hopeless frip- pery, the stage direction sloppy, and the impor- tant ballets were massacred while Anna Pavlowa, a member of the company at the time, danced Au- tumn bacchanals and gave imitations of dying swans after performances of Madama Butterfly!
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You can find similar books in the "Read Also" column, or choose other free books by Van Vechten Carl to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The stage management is very old-fashioned and is not calculated to bring out the best in the operas presented ... In one sense, ill one very real [190] The Problem of Style sense, Mr. Gatti-Casazza has done our public a service in producing such operas (some of them for the first time here) as The Bartered Bride, Fir delio, Armide, Orfeo, Ariane et Barbe-Bleue, Die Zauberflote, Le Nozze di Figaro, Euryanthe, Iphi- genie en Tauride, Boris Godunow, Prince Igor and Der Rosenkavalier, but it canno...t be said in any of these instances (with the possible exceptions of The Bartered Bride, Boris Godunow, and, to a certain extent, Orfeo) that the works have been presented with full regard for their style. There were extraordinary features about the production of Armide, the impersonation of Olive Fremstad, the singing of Mr. Caruso, and the conducting of Mr. Toscanini, but the scenery was hopeless frip- pery, the stage direction sloppy, and the impor- tant ballets were massacred while Anna Pavlowa, a member of the company at the time, danced Au- tumn bacchanals and gave imitations of dying swans after performances of Madama Butterfly!
What to read after Interpreters And Interpretations?
You can find similar books in the "Read Also" column, or choose other free books by Van Vechten Carl to read onlineMoreLess
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