Introduction to a Catalogue of the Early Italian Prints in the British Museum
Introduction to a Catalogue of the Early Italian Prints in the British Museum
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In our eReader you can find the full English version of the book. Read Introduction to a Catalogue of the Early Italian Prints in the British Museum Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Introduction to a Catalogue of the Early Italian Prints in the British Museum
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The left hand of Fortune is upraised in an action of warning, cor- NICOLETO DA MODENA. 263 responding with the stern expression of her face, and the right hand, directed downward by her side, has a blank tablet suspended on the forefinger, and sustains a long rod, surmounted by a youthful hunfian face with streaming hair The features have much of the character of Florentine drawing ; but the accessories of the surrounding scenery, with the peculiar form of rock bounding the water on the left, a...re exactly in correspondence with the treatment of Nicoleto da Modena's landscapes. The print is not in Ottley*s list, from which are omitted all prints not marked with signature or initials, and M. Galichon places it with three others, considered by him to be of doubtful authen- ticity, at the end of his account of the seven nielli attributed to the master (" Gazette des Beaux Arts," ix., 2nd period, p. 164). Far more distinctively by his hand, in careful finish of execution, is the series of three allegorical figures, uniform in size — Victory (P.
What to read after Introduction to a Catalogue of the Early Italian Prints in the British Museum?
You can find similar books in the "Read Also" column, or choose other free books by British Museum. Dept. of Prints And Drawings to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The left hand of Fortune is upraised in an action of warning, cor- NICOLETO DA MODENA. 263 responding with the stern expression of her face, and the right hand, directed downward by her side, has a blank tablet suspended on the forefinger, and sustains a long rod, surmounted by a youthful hunfian face with streaming hair The features have much of the character of Florentine drawing ; but the accessories of the surrounding scenery, with the peculiar form of rock bounding the water on the left, a...re exactly in correspondence with the treatment of Nicoleto da Modena's landscapes. The print is not in Ottley*s list, from which are omitted all prints not marked with signature or initials, and M. Galichon places it with three others, considered by him to be of doubtful authen- ticity, at the end of his account of the seven nielli attributed to the master (" Gazette des Beaux Arts," ix., 2nd period, p. 164). Far more distinctively by his hand, in careful finish of execution, is the series of three allegorical figures, uniform in size — Victory (P.
What to read after Introduction to a Catalogue of the Early Italian Prints in the British Museum?
You can find similar books in the "Read Also" column, or choose other free books by British Museum. Dept. of Prints And Drawings to read onlineMoreLess
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